The last year has brought just as many trials as the last, but my main achievement over the last year, has been my work at Hospital Radio Chelmsford, stationed at Broomfield Hospital, Chelmsford, UK.
I first joined Hospital Radio Chelmsford, back in October 2012, and I've had the best time, with some of the best people, ever since; starting off small with a regular presence on the Friday Night Request shows for patients. In April 2014, I was given the wonderful opportunity to produce and lead a pre-existing show called, A Smooth Blend of Music Scores, the only show representing the music of Classical, and Film and Television soundtracks. Well it was a match made in heaven, as they say, particularly being two of my most favourite music genres. How could I resist? The previous presenter of the show, Alain Heaysman has since returned in the autumn of last year, to continue to share in the production and presentation of the show, and we continue to steer the show into rude health to this day. For the Doctor Who fans out there, here's a mixcloud of the show I produced especially for Doctor Who's 51st anniversary, back in November 2014.
To continue the St. David's Day (St. David being the Christian Patron Saint of Wales) theme of the weekend, I wanted to choose a track from one of my all-time favourite singers, the legendary Tom Jones. However, rather than go one of his early standards that oft-repeated everywhere, I thought I would go with his most recent hit, a 2012 cover and re-arrangement of the Blues song, "Hit or Miss". However, I feel I cannot celebrate this, without first celebrating the equally superb and equally underrated original, by Odetta Holmes. Odetta Holmes is to me without a doubt, one of the best folk and blues singers to have ever lived. However, while mostly famous for her civil and human rights campaigns, and her performance of traditional, usually Christian songs, Odetta was also a very talented songwriter. "Hit or Miss" was a track from one of her later albums, and probably overlooked in subsequent years as a result, having taken place after her big successful hit albums, as well as existing in a period where the musical genre of rock had been dominant for several years as the most popular with audiences. Although Folk and Blues have never really gone away, just like Classical music, they've been far from mass popular acclaim since the mid-1960s. Anyway here is a musical classic that deserves to be remembered. 9a. Hit or Miss, by Odetta Holmes (1970)
Given how great a folk song it is then, its only natural that someone will come along and want to cover it, maybe even update it for modern day tastes. With this particular cover, that's exactly what happened. Tom Jones was as much a fan of the Blues as he ever was of Rock and Roll, and over the last decade or so, he has delightfully experimented and performed his own versions of classic songs in the genre, including even some original work written for him. Tom's version of "Hit or Miss" is a classic in my mind too. Sure it doesn't have the raw and passionate soul of the original, but it greatly makes up for it with a more subtle moodier soul, as well as having a lovely bare bones rock twist, and Tom Jones' unique and sublime vocals of course. Enjoy! 9b. Hit or Miss, by Tom Jones (2012)
In memory of the late Ray Cusick, the imaginative designer behind the iconic design and look of the Daleks, who sadly passed away a few days ago, I'd thought I would choose a Dalek-themed music track in tribute. Here's a wonderful theme composed for the Daleks by Malcolm Lockyer for the 1965 film re-adaption of the classic Doctor Who story, The Daleks, rather unimaginatively called Dr. Who and the Daleks and famously starred the renowned Horror and Science Fiction film actor, Peter Cushing as the Doctor. This track is actually called Daleks and Thals, and features a very obvious musical rip-off of the James Bond theme, however, the melody and other sections produce a rather fantastic little piece. Film music fans will notice is that even though this is the theme Lockyer used throughout the movie for the Daleks, this particular recording is actually the released single version of the theme, neatly summarised as a nice little pop-like instrumental. Enjoy. 8. Daleks and Thals, by Malcolm Lockyer (1965)
I originally intended to put this up on Thursday (Valentine's Day), but I was sadly too busy. However, I think this track is good enough for any day of the year regardless, such is the moving positive upbeat simplicity of it. Plus I'm always a big softie for brilliant and big orchestra numbers. For TV trivia fans, some UK viewers may recognise the later instrumental section as being one of the later TV themes used for the now ended BBC Show, Tomorrow's World, at the end of the 1990s and into the early 2000s. The reason for this is because it was, The Divine Comedy, when asked agreed to re-arrange and re-record the music of the piece especially to fit for the opening and closing Title credits, as well as some shorter edited cues for cutaways. Sadly the Tomorrow's World version of this has never been released in any form whatsoever, but I would argue that this, the original song is a magnificent and superlative track on its own (terms) anyway. And it also works as a wonderful love song too. Enjoy! 7. The Pursuit of Happiness, by The Divine Comedy (1997)
A complete contrast to last time. Over the last week I've seen many clips and trailers for Lincoln, a new film biopic drama by Steven Spielberg, which like many books and films before it, tries to tell and dramatise the key moments in the life story and struggle of this most important of Presidents of the United States of America, and also to convey the man behind the momentous history that often overshadows him. Anyway, seeing all this publicity material reminded me of this great U2 song, originally made to soundtrack the 2002 film, The Gangs of New York (also starring Daniel Day-Lewis, and set in a similar time period too). Here is the early studio version, which I prefer for its more haunting production. Enjoy. 6. The Hands that Built America, by U2 (2002) [Studio Mix]
However, if you're interested, here is the final Single version that was used in the film soundtrack itself.
At the start of what looks to be a cold and fairly miserable week in the UK. Here's something that provide something of an upbeat musical lift in spirit. In short, a wonderfully cheesy and fun DISCO track from 1979, from one of the big names of the era, Edwin Starr. This is another Tune that automatically puts a smile on my face when I hear it. I defy anyone not to even slightly feel like moving when the Synth bassline kicks in. H.A.P.P.Y. indeed. :) 5. H.A.P.P.Y. Radio by Edwin Starr (1979)
Plus a 12 inch mix for those who like the Extended Version
Yes, Tunes plural. Sorry I've been away for a while, but my sound work for live Theatre and Radio, plus my 26th Birthday kept me very busy for some time. I was originally going to post a big selection of my all-time favourites for my birthday, but as its long passed, it can wait till another time. To make up for the wait though, I will be posting a couple of other tunes over the next two days, so erm...stay tuned...as it were. As it happens this particular track is one of my all-time favourites anyway. To celebrate John Williams' 81st birthday yesterday, here's one of my favourite ever pieces by the magnificent and superlative film composer, the main theme to Superman itself, from the original 1978 film starring Christopher Reeve. This track also includes the opening prelude Williams composed for the film, which in my mind is the perfect lead-in to one of the most perfect Film themes ever devised. 4. Superman: Prelude and Main Title March, by John Williams (1978)
